USA – Interactive light technology group, Marshmallow Laser Feast (MLF), harnessed the sharp, high output features of 185 Clay Paky Sharpys to create a hard-hitting, high-impact real-time lightscape for U2’s latest music video, which launched the band’s new single ‘Invisible’ on 4th February.
Previous to that a 60” cut down version was aired during the Superbowl, on 2nd February 2014. This cut down video formed the basis of a commercial for the Bank Of America and supports Bono’s charity, RED, an initiative launched to encourage business and consumer power to work together to eliminate AIDS in Africa.
MLF, with Juliette Larthe and Mark Logue of PRETTYBIRD, collaborated to create a stunning, cathedral-like, interactive 3D lighting and video architecture that directly translated the band and audience’s movement into a striking video and light show.
Grammy Award winning film director Mark Romanek (Never Let Me Go, One Hour Photo) of Anonymous Content directed both the commercial and music video. The project also employed the services of world class LD Patrick Dierson who worked alongside U2’s creative director, Jefferson Hack, and U2 themselves – all were an integral part of the creative process.
“Infrared cameras are used to track the movement of the band. They then feed that information into The Punkerator, an application we developed specifically for this project, which translates real time sound and movement into light and video,” explains MLF director Robin McNicholas. “This interfaces with a media server and works in sync with Protools and the lighting console to enable the lighting and video to mimic and directly respond to the movements of the band.”
In total 200 Sharpys were used to shine through the 360 degree semi-transparent LED screens: – 28 six Sharpy columns were positioned behind the main 360 degree LED wall (12m X 6m), with an additional 25 fixtures strategically positioned around the room. The effect was to deliver an entirely immersive and mesmerising experience.
“This is the biggest project MLF has worked on with the Clay Paky Sharpys,” states McNicholas. “It’s been a hugely exciting process. We’ve done a fair bit of R&D with the Sharpys and have already developed a number of applications to control them. For this project we created a super-integrated custom sound-reactive application in OpenFrameworks: – The Punkerator. We used it to track the motion of the band, via infrared cameras, and convert their movements into flowing lighting effects that utilise the Sharpys’ best characteristics. The goal was to amplify the raw energy of the gig and translate it into 360º immersive experience. “The Sharpys have proved themselves ideal for the artistic needs of a innovative outfit like MLF. Their sheer versatility hands creativity back to the artist. MLF would like to thank our colleagues Patrick Dierson, Lauren Barton, Anthony Randall of Chaos Visual Productions and the team from A-R-E.com, without which this project would never have worked.”
The U2 video will be used to promote a worldwide campaign which forms part of Bono’s charity, RED, and for a limited time – from the beginning of the Superbowl broadcast until 11:59 ET on February 3rd – U2’s latest single ‘Invisible’ was available as a free iTunes download.
“We are incredibly thankful to Clay Paky for all their support,” concludes McNicholas. “The Clay Paky management has been exceptionally supportive to MLF throughout the research and development process for The Punkerator app. This co-operation has resulted in a piece of technology that we’re hugely proud of and which we would have struggled to delivered without their support.”
About Marshmallow Laser Feast
Marshmallow Laser Feast is a creative studio working at the intersection of art and technology. With over 20 years of industry experience between them, MLF was founded in 2011 by Memo Akten, Robin McNicholas and Barney Steel, each successful, multi-talented artists in their own right. As a group, MLF creates groundbreaking work of epic artistic proportions, consistently seeking collaborations across disciplines.
In 2012, MLF created two landmark productions. The first, “Meet Your Creator,” opened the 22nd Saatchi & Saatchi New Directors’ Showcase at the Cannes Lions International Festival of Creativity. MLF worked as creative and technical directors, and their theatrical performance became nothing short of a cultural landmark: sixteen illuminated, flying robot “quadrotors,” intricately choreographed to Oneohtrix Point Never musician Daniel Lopatin’s electronic soundtrack, reflected light beams on the stage to awe-inspiring effect.
MLF also designed and directed the video for McLaren’s P1 launch, in collaboration with photographer James Medcraft. Using long exposure photography, light painting, and animation, while being driven by real-life wind tunnel data and motion control rigs, MLF created a sexy, avant-garde interpretation of the car.
In just two years, MLF has earned a reputation for creating things that aren’t seemingly possible—for producing installations that push boundaries, redefine expectations and amaze audiences.
Prettybird is a creative think tank that provides clients with distinct visionary work across an ever-evolving entertainment and branding landscape.
(RED) is a brand designed to engage business and consumer power to help eliminate AIDS in Africa. (RED) works with the world’s most iconic brands to make unique (PRODUCT)RED-branded products from which these companies direct up to 50% of their gross profits to the Global Fund. All of this money is invested in HIV/AIDS programs in Africa. (RED) is not a charity or “campaign.” It is an economic initiative that aims to deliver a sustainable flow of private sector money to the Global Fund.
As of October 2010, (RED) partnerships with American Express (UK only), Apple, Bugaboo, Converse, Dell, Emporio Armani, FLOWE(RED) (UK only), Gap, Hallmark (US only), Nike, Penguin Classics and Starbucks, and (RED) events have generated over $150 million for the Global Fund.
The Global Fund (RED) grants currently support programmes in six countries: Ghana, Lesotho, Rwanda, South Africa, Swaziland and Zambia. 100% of all (RED) contributions to the Global Fund goes to the implementation of these grants, no overhead is taken out. Global Fund (RED) grants support locally-designed programmes that provide antiretroviral therapy for HIV positive individuals, support HIV prevention, feed and educate children orphaned by AIDS and provide the low-cost treatments needed to reduce the risk of transmission of HIV from mother to child. There are currently more than 145,000 HIV-positive people on antiretroviral therapy, more than 84,000 HIV positive pregnant women have received preventative antiretroviral therapy to reduce the risk of mother-to-child transmission and 4.8 million people have undergone HIV testing and counseling due to support from funds from the Global Fund and (RED).